Good work! It was a treat to see you all again and I enjoyed watching the polish you've added to the show. That said, however.....
DICTION - CUTOFFS - TEMPOS - HARMONIES - STACCATOS - Sharpen them up!
Remember that the audience does not know the story...you all have a lot of information to impart, especially at top of show (Shingle and Monty) and throughout - there's a lot going on here that the audience could miss if you aren't all aware that you are telling a story with many moving parts.
keep your words at the front of your mouths, don't drop pitch/tone on the last word in a sentence - which is often the 'money' word in the sentence - hit your consonants, especially Ts, Ls, Ms, Ns;
I'd still like more full voice from Monty in the first part of Foolish...many words are hard to hear.
Backstage singers need to be sure you are with the rest of the orchestra and cast!!!! I heard you separate from the rest 2ce.
JP - Poor - timing off at "perplexed by your attitude". You catch up, but...please watch the conductor!!!
CHORUS: Poor - review your notes at the end.
JP - Rev. - Just once, please? Chartres is SHART. Not shartrez, not shartray.
JP - check line in Bee scene - I believe it is your SISTER who keep the estate going, not your wife (who never comes to, etc..)
JP - Last One Part VII - review notes M17 - end. There's a bit of slippage.
JP - find a way to listen better and check in with the conductor on Barrel of a Gun during the first verse. You are rushing. If you give a look/listen I think you'll find a way to stay together with the orchestra.
WELL DONE, ALL!!!!!!! I had a blast working with you! Have a great closing weekend.
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